If we look at the history of analogue cinema, of cinema projected from film, perhaps we can take the question of vertigo as a red thread.
Today, I am going to lay out some ideas that build on many different aesthetic performances and practices involving trans bodies and that search for and produce new vocabularies for discussing transness and new deployments of transness for the project of dismantling world and worldedness as concepts that hold current political realities in place.
The workshop will shed new light on disorientation and on how film artists throughout history use (optical) disorientation and confusion as a paradigm in their work. What can be gained by losing one’s grip, by simply letting go? What pictures arise with dizziness?