Knowledge is a plural concept. There exists a myriad of knowledges: useful, useless, profitable, bourgeois, vital, disciplined, specialized, uncategorized, hidden, lost, outsourced, implicit, explicit, tacit, codified…

How did we succeed to make dizziness a sort of commonplace? After several cross-disciplinary gatherings in the course of the research project ‘Dizziness–A Resource’, it became clear that the introduction of the concept of dizziness into divergent research fields created a compossible space, formed by our common interest in the experience of and reflection on dizziness.

Starting with the attempt to call the phenomenon of dizziness by its proper name, this book brings together diverse voices considering the potential of this in-between state from multiple perspectives and in view of different disciplines.

Today, I am going to lay out some ideas that build on many different aesthetic performances and practices involving trans bodies and that search for and produce new vocabularies for discussing transness and new deployments of transness for the project of dismantling world and worldedness as concepts that hold current political realities in place.
