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Glimpses of ‘Navigating the Unknown’
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Glimpses of ‘Navigating the Unknown’
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Artistic Research
FWF-PEEK AR-224
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Date of Publishing:
May 12, 2016

2016 © Anderwald + Grond

Glimpses of ‘Navigating the Unknown’

Navigating the Unknown – Fears and Pleasures of Dizziness, 21st-23rd of March, 2016 at CCA – Center for Contemporary Art, Tel Aviv

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In order of appereance: Anna Jermolaewa, Ruth Anderwald, Leonhard Grond, Matti Mintz, Karoline Feyertag, Charlotte Hug, Maya Shmailov, Marcus Steinweg, Robert Prosser, Sergio Edelsztein, Lior Noy, Catherine Yass, Vivian Ostrovsky, Diana Shoef, Chen Sheinberg, Mathias Bendek, Maayan Amir.

Footnotes

– See also Navigating the Unknown – Fears and Pleasures of Dizziness.

Literature

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Note

HASENHERZ Practicing the Compossible Space

The theory of the compossible space is set into action in the artistic practice ‘HASENHERZ or the Pleasures of the Moving Image and Word’. ‘HASENHERZ’ is both a work of art and an instrument for examining artworks.

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Note

Hippocampus

1564 the famous Italian anatomist and surgeon Julius Caesar Aranzi discovered a small structure when dissecting a human brain. He named it hippocampus, because its form reminded him of that of a sea horse.

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Note
Marcus Steinweg

HEADLESS

It is only when we are blind that experience is possible, Müller says, or in other words, when we take the hand off the banister, as Hannah Arendt has claimed for thinking. In that sense there is no writing that does not involve the affirmation of a certain headlessness, of proflection or precipitancy.

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