For my graduation work at Ruhr-University Bochum I try to visualize how an invisible, chaotic and disturbing phenomenon like dizziness may become visible for an audience.
These two dimensions are often presented as 'axes', where the horizontal axis is the syntagmatic and the vertical axis is the paradigmatic.
Lecture by Mathias Benedek at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘.
This panel discussion considers infrastructure under shifting political, technological, and ecological pressures, asking what visions for a sustainable future might be possible.
This program examines the glances, gestures, affects and fluids that circulate between filming and filmed bodies, celluloid and screen, fantasy and pleasure.
Museums have undergone significant changes in the last decades as many have shifted their focus from institutions representing the past to functioning as platforms for transformation and as sites for civic engagement.