It's one thing to write a text, but another to read it out loud and in front of an audience, where one becomes vulnerable. On the other hand, through this act of reaching out, potentially, it touches people more directly than through the written word. Voice is limited to a place, at a specific time. It's intimate: one speaks, the other listens.
The typically Western notion of “we’re taking drugs” just reflects the delusions of power with which we approach fellow beings that are superior to us. I don’t take drugs, the drugs take me with them. And it’s not my decision whether I am swept along by it or not, but I can decide what level of humility I display toward it.
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
The Institute for Medical & Health Humanities and Artistic Research organizes events online and at different locations for the exchange about current projects and initiatives. It wants to contribute to the further development of the discourses in the field of the Medical & Health Humanities, but focus in particular on the manifold connections between the Medical & Health Humanities and artistic research.