Vagabondage Nocturne, 2008 © Anderwald + Grond photo
© Anderwald + Grond
Lecture Performance by Robert Prosser at Academy of Fine Arts, Vienna.
– See also Dizzy on Stage. Trance in Anthroplogy and Practice.
With psychoanalysis, we should listen to dizziness: to find rhythms and tempos of the unconscious. Other senses in the nonsense. Triggering — dizziness allows talking; and a change in perspective, if heard. Colliding, conflicting trajectories in intense multiplicity could lead to the shape-shifting of lives, and institutions. What can be heard in Yukio Mishima’s and Gustav von Aschenbach’s dizziness?
For my graduation work at Ruhr-University Bochum I try to visualize how an invisible, chaotic and disturbing phenomenon like dizziness may become visible for an audience.
Why do we fall sir? So that we can learn to pick ourselves up.
Filmmaking has developed epistemological practices of its own, which do not align seamlessly with current notions of artistic research.
The Europe we inhabit today developed as a project in resistance to its past fascisms. But are fascisms only found in the past? This day-long workshop and exchange meeting explores resistance against fascisms as a performative, artistic, cultural, digital and educational instrument of realizing (European) community.
The FORUM 20:17 wants to bring up the social and cultural change of the global societies and the associated need for orientation of young people in the new form of a future laboratory as well as the associated need for shaping open and associative youth work.
