Vagabondage Nocturne, 2008 © Anderwald + Grond photo
© Anderwald + Grond
Lecture Performance by Robert Prosser at Academy of Fine Arts, Vienna.
– See also Dizzy on Stage. Trance in Anthroplogy and Practice.
With psychoanalysis, we should listen to dizziness: to find rhythms and tempos of the unconscious. Other senses in the nonsense. Triggering — dizziness allows talking; and a change in perspective, if heard. Colliding, conflicting trajectories in intense multiplicity could lead to the shape-shifting of lives, and institutions. What can be heard in Yukio Mishima’s and Gustav von Aschenbach’s dizziness?
Based on the assumption that there is a human tendency toward seeking ecstatic feelings and risk, resulting in dangerous outcomes and potentially addiction, Gerald Koller trains individuals in local communities, citizen organizations (COs), and regional government programs to develop responsible behavior in risky settings.
Drifting away my perception changes. I can only recognise parts of what I do, see, hear and experience. Only in a quiet, secluded environment can I enjoy this state of dizziness, because I can deliver myself into it.
How do the arts research? What knowledge is produced? What social challenges are explored? What possible society is imagined?
The prestigious award goes to Czech sculptor and artist Magdalena Jetelová, the Austrian University of Applied Arts Vienna and the American non-profit organisation Printed Matter, Inc.
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
