2015 © Anderwald + Grond
Reenactment in Istanbul of Mieko Shiomi's work event for the late afternoon performed in Okayama, Japan, 1964. (http://www.moma.org)
Sound, growling behind the door, an unknown source of noise, the seduction growing, my whole body anticipating total surrender.
Why do we fall sir? So that we can learn to pick ourselves up.
Sluice chamber or a “space in between” (where things become compossible and ambiguous). It’s an “interzone”.
Having grown up in Lesotho (his mother is German, his father South African), Teboho Edkins' films are shaped by a search for borders: between belonging and intrusion, between documenting and fictional storytelling, between film and video art.
The work takes its name from the Zen concept "not two, not one" - the idea that things are neither fully separate nor fully the same.
Forecast (LX23) is scored for two electric guitars, electric bass and performer.
