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Observation 5
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Observation 5
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Art
FWF-PEEK AR-224
Moving Image Art
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Date of Publishing:
March 23, 2015

Observation 5

Footnotes
Literature

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Note

Communitas

The community isn't a mode of being, much less a ‘making’ of the individual subject.

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Document
Anna Kim

Collective Modes of Destruction

Writer Anna Kim's lecture retraces the life of photographer Edith Tudor-Hart (née Edith Suschitzky 1908, in Vienna, died 1973 in Brighton), who worked as a Soviet agent and photographed workers and street children from Vienna and London to give a face to poverty and social disadvantage.

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Note
Leo Hosp

Review: "Braiding Sweetgrass" by Robin Wall Kimmerer

Braiding Sweetgrass offers points of relation to queerness, dizziness, and their intersections, by addressing the importance of the collective and lived reciprocity, talking about how plants and forest are teaching us about the destructive and constructive elements of change, and by exploring the possibilities of standing at the brink and those of falling.

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Taumel – On the Borders of the Unknown

25 Apr - 26 Apr 2015

The end of the extent of our knowledge defines the borders of our world as we know it. Since the concept of the world as a plate, right up to the discovery of the existence of dark matter, this has not changed.

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Initiation and Gangster Backstage

8 Feb 2017, 18:00

Having grown up in Lesotho (his mother is German, his father South African), Teboho Edkins' films are shaped by a search for borders: between belonging and intrusion, between documenting and fictional storytelling, between film and video art.

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Dizziness and Verticality

21 Feb 2020, 10:30

We differentiated the word sense into three transversal fields to define dizziness: sensory input (stands for the corporeal aspect of dizziness), emotion (the emotional spectrum of dizziness), and meaning. Along these three transversal fields of sense, we will discuss the phenomenon and concept of dizziness, bringing together different disciplinary viewpoints and connections to verticality.

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