Photo credits: Simos Batzakis
An exploration of queering as a practice within dizziness, carried out mainly by asking questions like: Can queering put the power system of heteropatriarchy in a state of dizziness? Are queer bodies dizzier than others?
I had to think of the four phases of execution that I developed within my emergence ontology, as I wanted to distance myself from the Aristotelian teleology that is found within any theory of action.
This panel discussion considers infrastructure under shifting political, technological, and ecological pressures, asking what visions for a sustainable future might be possible.
Filmmaking has developed epistemological practices of its own, which do not align seamlessly with current notions of artistic research.
Can dizziness be a resource? What remains after unsettledness and disorientation? And how can we see communities find their balance in uncertain situations? Particularly now, in times of ubiquitous invocations of global crisis, these questions of collective balancing and balancing collectives are more relevant than ever.
This program examines the glances, gestures, affects and fluids that circulate between filming and filmed bodies, celluloid and screen, fantasy and pleasure.
