Photo credits: Simos Batzakis
More than courage, what standing the dizziness of freedom requires is precision.
This chapter attempts to look at what reflections become perceptible on the brackish waters of artistic research.
I’ve heard surviving pilots tell, that free fall triggers a feeling of confusion between the self and the aircraft. While falling, people may sense themselves as being things, while things may sense that they are people.
In a (post-)disciplinary landscape, what can a concept be? When, why and for what purposes do we use concepts?
The question of art’s ability to speak to that which is unknowable, unspeakable and alien has been a long tradition held in Romanticism and Realism, the former being associated with the subjective physiologies of the individual and the latter being associated with more objective and scientific aims.
Medicine and Humanities share a common research subject – humans. The basic and fundamental difference is the methodologies and research strategies applied, which could lead to similar or opposing conclusions.
