(Without Words) Stone Fruits and Ghosts, 2014 © Anderwald + Grond
Excerpt of the concert Instruction for Use at Musikfestival Rottweil, Germany.
– See also Instruction for Use.
The initial idea to make a portrait of Charles Blondin, the famed tightrope walker and ropedancer of the 19th century, developed into a reflection of and fascination of the abyss and the abyssal.
Lecture Performance by Robert Prosser at Academy of Fine Arts
We use the term coalescence to describe a moment where a multitude of actors come together, act together, and merge into a collective movement, body, or unit. The resulting situation is a shared but divergent somatic, spatial and cognitive experience of togetherness that is experienced as fertile and generative by all or most of the collective.
Filmmaking has developed epistemological practices of its own, which do not align seamlessly with current notions of artistic research.
Ruth Anderwald + Leonhard Grond take Dizziness–A Resource to the classroom.
The Europe we inhabit today developed as a project in resistance to its past fascisms. But are fascisms only found in the past? This day-long workshop and exchange meeting explores resistance against fascisms as a performative, artistic, cultural, digital and educational instrument of realizing (European) community.
