(Without Words) Stone Fruits and Ghosts, 2014 © Anderwald + Grond
Excerpt of the concert Instruction for Use at Musikfestival Rottweil, Germany.
– See also Instruction for Use.
The thing with a project about confusion is that it can never really be right on track. Being committed to the premise means knowing that occasionally losing the thread is an integral part of the whole thing.
With psychoanalysis, we should listen to dizziness: to find rhythms and tempos of the unconscious. Other senses in the nonsense. Triggering — dizziness allows talking; and a change in perspective, if heard. Colliding, conflicting trajectories in intense multiplicity could lead to the shape-shifting of lives, and institutions. What can be heard in Yukio Mishima’s and Gustav von Aschenbach’s dizziness?
It always starts with art.
We differentiated the word sense into three transversal fields to define dizziness: sensory input (stands for the corporeal aspect of dizziness), emotion (the emotional spectrum of dizziness), and meaning. Along these three transversal fields of sense, we will discuss the phenomenon and concept of dizziness, bringing together different disciplinary viewpoints and connections to verticality.
Ruth Anderwald + Leonhard Grond take Dizziness–A Resource to the classroom.
This book launch will feature Ruth Anderwald + Leonhard Grond, who will introduce the book and their eponymous artistic research project, and Sergio Edelsztein, collaborator of the artistic research 'Dizziness – A Resource'. In 2016 he co-hosted a three-day event at the CCA, where Maya M. Shmailov participated with a lecture.
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