2024, Tidal Balance, 7 Min 9 Sec, sound
Knowledge is a plural concept. There exists a myriad of knowledges: useful, useless, profitable, bourgeois, vital, disciplined, specialized, uncategorized, hidden, lost, outsourced, implicit, explicit, tacit, codified…
What forms of resistance are still possible in this world we live in? How can the disfranchised live a peaceful life in a free community, while in defiance of the control society and the society of spectacle?
While recognising the important role that words and theories play in such a philosophical life, this lecture by Richard Shusterman explores experiments in practising philosophy through speechless performance art with L’homme en Or (aka the Man in Gold), who embodies the philosopher without words.
Artistic Research and Architecture: On the Possibilities and Responsibilities of Applied Understanding through Art and Research
The question of art’s ability to speak to that which is unknowable, unspeakable and alien has been a long tradition held in Romanticism and Realism, the former being associated with the subjective physiologies of the individual and the latter being associated with more objective and scientific aims.
Vertigo in the City brings together an eclectic mix of scholars, clinicians, practitioners and artists to share perspectives on vertigo. The multidisciplinary conversations explore how sensations of dizziness and disorientation are diagnosed, analysed, evoked, induced, critiqued and represented, with a particular focus on the built environment.
