Ruth Anderwald, Leonhard Grond, Sergio Edelsztein, Jeanne Drach and Laura Brechmann create a series of podcasts that is at the same time a sound sculpture. In this way, the work can be perceived individually and portably and as an audience in a specific setting.

When behaving as waves, [particles] can simultaneously pass through several openings in a barrier and then meet again at the other side of the barrier. This "meeting" is known as interference. Strange as it may sound, interference can only occur when no one is watching.

More than ever before, our world appears to us as an animistic world, as a reality in which basically everything – things, plants, machines – can be experienced as animate in some form or another and, accordingly, as alive.

The Europe we inhabit today developed as a project in resistance to its past fascisms. But are fascisms only found in the past? This day-long workshop and exchange meeting explores resistance against fascisms as a performative, artistic, cultural, digital and educational instrument of realizing (European) community.

Today, I am going to lay out some ideas that build on many different aesthetic performances and practices involving trans bodies and that search for and produce new vocabularies for discussing transness and new deployments of transness for the project of dismantling world and worldedness as concepts that hold current political realities in place.
