At this stage of the “just before”, of the potential, the ambiguous, the non-separation – the work of art avoids to come about, to take place because if it takes place, it is only this and not as well that anymore, it becomes exclusive. The great oeuvre keeps itself at work, because it keeps itself at this stage of the “just before”, “upstream” of a definitive actualisation, which would follow its definition.
This working symposium aims to discuss ways of localizing, recognizing, approaching, and countering dizziness on different scales and disciplines – from the somatic to the built environment to interspecies and post-colonial contexts.