



With psychoanalysis, we should listen to dizziness: to find rhythms and tempos of the unconscious. Other senses in the nonsense. Triggering — dizziness allows talking; and a change in perspective, if heard. Colliding, conflicting trajectories in intense multiplicity could lead to the shape-shifting of lives, and institutions. What can be heard in Yukio Mishima’s and Gustav von Aschenbach’s dizziness?

More than ever before, our world appears to us as an animistic world, as a reality in which basically everything – things, plants, machines – can be experienced as animate in some form or another and, accordingly, as alive.
