If we look at the history of analogue cinema, of cinema projected from film, perhaps we can take the question of vertigo as a red thread.

This is not a pure design approach, since I grant myself the full freedom of artistic development, not knowing where it will lead, but at the same time I have the feeling that it’s also about why I’m on this planet, and that I must give meaning to that. L’art pour l’art is not enough for me, instead I would say: L’art pour le sens.
