How does an artist live and work in isolation? How can he/she follow up on exhibition commitments? What kind of artistic strategies should be developed in order to maintain a presence and contact with the public in this situation? What would then be the role of the curator, and of the institution in general, in extreme situations where mobility is imperiled?

The Europe we inhabit today developed as a project in resistance to its past fascisms. But are fascisms only found in the past? This day-long workshop and exchange meeting explores resistance against fascisms as a performative, artistic, cultural, digital and educational instrument of realizing (European) community.
