2014 © Anderwald + Grond
Psychedelic experiences - what remains?
– See also Joachim Koester, Conversation 1
If one notes the amount of staggering performed or stammered by characters in Waiting for Godot, it can be quite surprising. In fact, few plays contain characters that spend as much time stumbling or tottering about the stage. It is almost as if they are sailors in the midst of a violent squall, but this is not the case.
Performance by Charlotte Hug at Navigating in the Unknown, Monday 11 May, 2015.
How can we utilise dizziness in the sense of ‘staring into the abyss’ as a stimulus for the fundamental act of philosophising? Is it really the limit, threshold, limen and aporia that incite thinking?
Présentation du numéro 46 de Artpress2 'Philosophie de François Jullien. Des concepts proposés à l'art'
The blurring of art’s boundaries enables it to cross-pollinate and conquer new territories.
The series focuses, in feature films and short films or with video and performance, on future concepts beyond apocalyptic catastrophes or technical utopias that develop positive action patterns of social and economic coexistence.
