2014 © Anderwald + Grond
Psychedelic experiences - what remains?
– See also Joachim Koester, Conversation 1
nature’s best mulches and soil.
Proceeding seems easier now. And finally, after the bend I will have certainty.
These are the recordings of our one-day symposium, that brought together artistic and cross-disciplinary research on dizziness, with speakers from the fields of philosophy, visual arts, creativity research, psychbiology, medicine, architecture and cultural studies in the form of screenings, artists’ talks, lectures and discussions.
"DizzyMess" is a 4-channel immersive soundscape and video installation which will be shown at the upcoming FUSO video-art festival in Lisbon.
The question of art’s ability to speak to that which is unknowable, unspeakable and alien has been a long tradition held in Romanticism and Realism, the former being associated with the subjective physiologies of the individual and the latter being associated with more objective and scientific aims.
We differentiated the word sense into three transversal fields to define dizziness: sensory input (stands for the corporeal aspect of dizziness), emotion (the emotional spectrum of dizziness), and meaning. Along these three transversal fields of sense, we will discuss the phenomenon and concept of dizziness, bringing together different disciplinary viewpoints and connections to verticality.
