2015 © Karoline Feyertag
Performance by Charlotte Hug at Navigating in the Unknown, Monday 11 May, 2015.
So the bright colors and the multifariousness of the Prater attractions were simply there to be used as a physical means to make something that always seemed new available to the visitors using them – human beings, children, and adults alike – something that always seemed new to them as they clambered down from them or came out of them, even if they were just the same old rides.
It's one thing to write a text, but another to read it out loud and in front of an audience, where one becomes vulnerable. On the other hand, through this act of reaching out, potentially, it touches people more directly than through the written word. Voice is limited to a place, at a specific time. It's intimate: one speaks, the other listens.
Recordings of the one-day symposium at the Westminster University held together with the exhibition of Catherine Yass’s film works in Ambika P3, London.
Five arts-based research projcets taking place at the Academy of Fine Arts Vienna will be presented and discussed. Kerstin Mey from University of Westminster and member of the Austria Science Board will give the keynote at the end of the day.
Choreography is a coward’s excuse for control. Choreography is a futile attempt at seizing power.
For the duration of one week, a condemned building complex in the 20th district will mutate into an experimental space for art and a newly defined cultural meeting place.
