2015 © Karoline Feyertag
Performance by Charlotte Hug at Navigating in the Unknown, Monday 11 May, 2015.
It's one thing to write a text, but another to read it out loud and in front of an audience, where one becomes vulnerable. On the other hand, through this act of reaching out, potentially, it touches people more directly than through the written word. Voice is limited to a place, at a specific time. It's intimate: one speaks, the other listens.
Sluice chamber or a “space in between” (where things become compossible and ambiguous). It’s an “interzone”.
Throughout the main body of his original 1927 paper, written in German, Heisenberg used the word, "Ungenauigkeit" ("indeterminacy"), to describe the basic theoretical principle. Only in the endnote did he switch to the word, "Unsicherheit" ("uncertainty")
States of dizziness break up the given – be it habits, beliefs, preconceptions, or patterns – creating space and dynamics between established categories, habits, and perceived oppositions.
In a live encounter bringing text loop fragments and cello improvisation together, artist, writer, and performer Tim Etchells is joined by musician and composer Lucy Railton.
In the context of our symposium, which focuses on dance, choreography, and performance, we also want to examine the implications of the concept of resonance for (physical) movement – and to what extent these resonances in movement can be linked to musical resonances.
