Catherine Yass talks about the dizzying aspects of her film Lighthouse.
– See also Catherine Yass, HASENHERZ.– See also Lighthouse.
At this stage of the “just before”, of the potential, the ambiguous, the non-separation – the work of art avoids to come about, to take place because if it takes place, it is only this and not as well that anymore, it becomes exclusive. The great oeuvre keeps itself at work, because it keeps itself at this stage of the “just before”, “upstream” of a definitive actualisation, which would follow its definition.
Dizziness–A Resource? Two hypotheses are hidden in the title of this artistic research. First, in this context, the term dizziness is understood in a broader sense. Second, the artistic research claims that states of dizziness should be considered a resource.
The Greek word peirar means “end, limit” and peras means “end, limit, boundary”. The word a-peiron is the negation of these meanings. In Hesiod and other classical Greek texts peras mainly describes the end of the known world.
Opposed to the violence of the Plantationocene, the Kola embodies constructive forms of activity and communication and enables the emergence of respectful, equal relationships.
“As agents of confusion you precede the agents of change”, claims the hermaphrodite being ‘Dizziness’ in Ruth Anderwald + Leonhard Grond’s film.
Présentation du numéro 46 de Artpress2 'Philosophie de François Jullien. Des concepts proposés à l'art'
