Catherine Yass talks about the dizzying aspects of her film Lighthouse.
– See also Catherine Yass, HASENHERZ.– See also Lighthouse.
It's an ambivalent term…
The theory of the compossible space is set into action in the artistic practice ‘HASENHERZ or the Pleasures of the Moving Image and Word’. ‘HASENHERZ’ is both a work of art and an instrument for examining artworks.
The project for Haus der Geschichte Österreich (House of Austrian History) encompasses a photo series and a series of videos. Following the construction process for the new museums’ space in the historical backdrop of Neue Burg, the former Emperor’s quarters.
“Dizzy Dress” is a colourful silk dress featuring anatomical illustrations of the inner ear and findings from our research on dizziness.
Extending to 'Utrata równowagi' at Ujazdowski Castle Centre for Contemporary Art, Ruth Anderwald + Leonhard Grond curated with Michał Matuszewski six programmes of Austrian and international films.
Can dizziness be a resource? What remains after unsettledness and disorientation? And how can we see communities find their balance in uncertain situations? Particularly now, in times of ubiquitous invocations of global crisis, these questions of collective balancing and balancing collectives are more relevant than ever.
