Catherine Yass talks about the dizzying aspects of her film Lighthouse.
– See also Catherine Yass, HASENHERZ.– See also Lighthouse.
Only since contemporary philosophy could compossibility also mean that opposites, several mutually contradictory worlds or heterogeneous truths, are possible within the same universe and without necessarily entailing separation, distinction or any dichotomy between them.
HASENHERZ-Screening with Catherine Yass at On the Borders of the Unknown, April 25, 2015.
HD-video and 3D-sound installation for the opening of the Economic Symposium at European Forum Alpbach.
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
The question of art’s ability to speak to that which is unknowable, unspeakable and alien has been a long tradition held in Romanticism and Realism, the former being associated with the subjective physiologies of the individual and the latter being associated with more objective and scientific aims.
"DizzyMess" is a 4-channel immersive soundscape and video installation which will be shown at the upcoming FUSO video-art festival in Lisbon.
