Catherine Yass talks about the dizzying aspects of her film Lighthouse.
– See also Catherine Yass, HASENHERZ.– See also Lighthouse.
What an extraordinary thing it is to encounter an octopus at sea; its visual appeal and beauty of movement, its corporeal and social abilities, unsaturable curiosity and intelligence.
If we look at the history of analogue cinema, of cinema projected from film, perhaps we can take the question of vertigo as a red thread.
‘Dizziness’ is an English translation of the German word ‘Taumel’, which implies a broader semantic field including notions of physical and emotional disequilibrium, staggering, confusion, uncertainty, and turmoil.
Extending to 'Utrata równowagi' at Ujazdowski Castle Centre for Contemporary Art, Ruth Anderwald + Leonhard Grond curated with Michał Matuszewski six programmes of Austrian and international films.
The symposium 'Between Images' explores contemporary artistic perspectives on the period after World War II. The invited artists of the symposium will use various media to approach the question of how it was possible to live together after the disillusionment of the lost war.
Vertigo in the City brings together an eclectic mix of scholars, clinicians, practitioners and artists to share perspectives on vertigo. The multidisciplinary conversations explore how sensations of dizziness and disorientation are diagnosed, analysed, evoked, induced, critiqued and represented, with a particular focus on the built environment.
