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Flag: 300 × 200 cm, colour, digital print on Multiflag® SE, glozzy, 110 g/m²
Edition: 3 + 2 AP, 2.000 €
Only since contemporary philosophy could compossibility also mean that opposites, several mutually contradictory worlds or heterogeneous truths, are possible within the same universe and without necessarily entailing separation, distinction or any dichotomy between them.
How does an artist live and work in isolation? How can he/she follow up on exhibition commitments? What kind of artistic strategies should be developed in order to maintain a presence and contact with the public in this situation? What would then be the role of the curator, and of the institution in general, in extreme situations where mobility is imperiled?
The workshop will shed new light on disorientation and on how film artists throughout history use (optical) disorientation and confusion as a paradigm in their work. What can be gained by losing one’s grip, by simply letting go? What pictures arise with dizziness?
Museums have undergone significant changes in the last decades as many have shifted their focus from institutions representing the past to functioning as platforms for transformation and as sites for civic engagement.