2016 © Anderwald + Grond
Flag: 300 × 200 cm, colour, digital print on Multiflag® SE, glozzy, 110 g/m²Edition: 3 + 2 AP, 2.000 €
Order now!
These two dimensions are often presented as 'axes', where the horizontal axis is the syntagmatic and the vertical axis is the paradigmatic.
With psychoanalysis, we should listen to dizziness: to find rhythms and tempos of the unconscious. Other senses in the nonsense. Triggering — dizziness allows talking; and a change in perspective, if heard. Colliding, conflicting trajectories in intense multiplicity could lead to the shape-shifting of lives, and institutions. What can be heard in Yukio Mishima’s and Gustav von Aschenbach’s dizziness?
Throughout the main body of his original 1927 paper, written in German, Heisenberg used the word, "Ungenauigkeit" ("indeterminacy"), to describe the basic theoretical principle. Only in the endnote did he switch to the word, "Unsicherheit" ("uncertainty")
"Everything is in relation to everything" - Glimpses on a meeting
The process of slipping into dizzying freefall, of sliding into uncertainty, becoming stuck, losing one’s way, giving up are as much actions as occurrences, both active and passive. Dizziness is a midway state at the point where everything and nothing seems possible, where certainty and uncertainty are in superposition, marked by an increasing loss of control.
This book launch will feature Ruth Anderwald + Leonhard Grond, who will introduce the book and their eponymous artistic research project, and Sergio Edelsztein, collaborator of the artistic research 'Dizziness – A Resource'. In 2016 he co-hosted a three-day event at the CCA, where Maya M. Shmailov participated with a lecture.
