2016 © Anderwald + Grond
Flag: 300 × 200 cm, colour, digital print on Multiflag® SE, glozzy, 110 g/m²Edition: 3 + 2 AP, 2.000 €
Order now!
This is a fragment of the soundtrack that will accompany our film "Dizziness Is My Name".
At this stage of the “just before”, of the potential, the ambiguous, the non-separation – the work of art avoids to come about, to take place because if it takes place, it is only this and not as well that anymore, it becomes exclusive. The great oeuvre keeps itself at work, because it keeps itself at this stage of the “just before”, “upstream” of a definitive actualisation, which would follow its definition.
"I saw the Statue of Liberty, and — this is weird — I saw it, and I just had it”, he said. He swiftly decided that he wanted to “spin around this thing."
This working symposium aims to discuss ways of localizing, recognizing, approaching, and countering dizziness on different scales and disciplines – from the somatic to the built environment to interspecies and post-colonial contexts.
How does an artist live and work in isolation? How can he/she follow up on exhibition commitments? What kind of artistic strategies should be developed in order to maintain a presence and contact with the public in this situation? What would then be the role of the curator, and of the institution in general, in extreme situations where mobility is imperiled?
Présentation du numéro 46 de Artpress2 'Philosophie de François Jullien. Des concepts proposés à l'art'
