2015 © Anderwald + Grond
Booklet: 48 pages, 13,0 × 21,0 cm, colourEdition: 100, numbered and signed, 50 €
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HASENHERZ-Screening with Catherine Yass at On the Borders of the Unknown, April 25, 2015.
Knowledge is a plural concept. There exists a myriad of knowledges: useful, useless, profitable, bourgeois, vital, disciplined, specialized, uncategorized, hidden, lost, outsourced, implicit, explicit, tacit, codified…
So the bright colors and the multifariousness of the Prater attractions were simply there to be used as a physical means to make something that always seemed new available to the visitors using them – human beings, children, and adults alike – something that always seemed new to them as they clambered down from them or came out of them, even if they were just the same old rides.
Extending to 'Dizziness. Navigating the Unknown' at Kunsthaus Graz, the 'Diagonale' festival shows a programme of Austrian and international short films.
How does an artist live and work in isolation? How can he/she follow up on exhibition commitments? What kind of artistic strategies should be developed in order to maintain a presence and contact with the public in this situation? What would then be the role of the curator, and of the institution in general, in extreme situations where mobility is imperiled?
Ruth Anderwald + Leonhard Grond take Dizziness–A Resource to the classroom.
