2015 © Anderwald + Grond
Booklet: 48 pages, 13,0 × 21,0 cm, colourEdition: 100, numbered and signed, 50 €
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This panel discussion considers infrastructure under shifting political, technological, and ecological pressures, asking what visions for a sustainable future might be possible.
The Greek word peirar means “end, limit” and peras means “end, limit, boundary”. The word a-peiron is the negation of these meanings. In Hesiod and other classical Greek texts peras mainly describes the end of the known world.
This symposium combined processes of cross-pollinating academic knowledge and discourse with somatic learning, artistic work, discussion, and experimentation.
How does an artist live and work in isolation? How can he/she follow up on exhibition commitments? What kind of artistic strategies should be developed in order to maintain a presence and contact with the public in this situation? What would then be the role of the curator, and of the institution in general, in extreme situations where mobility is imperiled?
In the experiencing subject, dizziness emerges as an experiential, as well as a differential category, and shows affinities to the perception of atmospheres.
Mark Toscano presents and discusses Gunvar Nelson's film 'Frame Line'.
