On the Threshold in between Motion and Standstill.

How can we utilise dizziness in the sense of ‘staring into the abyss’ as a stimulus for the fundamental act of philosophising? Is it really the limit, threshold, limen and aporia that incite thinking?

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Essay

Kathrin Wojtowicz

Distraction as a Landing Net? Notes on the Potential of the Amusement Park

So the bright colors and the multifariousness of the Prater attractions were simply there to be used as a physical means to make something that always seemed new available to the visitors using them – human beings, children, and adults alike – something that always seemed new to them as they clambered down from them or came out of them, even if they were just the same old rides.

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Interview

Philippe-Alain Michaud, Karoline Feyertag, Ruth Anderwald, Leonhard Grond.

Cinematic Dizziness and Vertigo with Philippe-Alain-Michaud

in the framework of the podcast On Certain Groundlessness

If we look at the history of analogue cinema, of cinema projected from film, perhaps we can take the question of vertigo as a red thread.

with/in/stabilities @ Open House – TQW Vienna

October 10 2025, 15:00-18:00

This artistic-research exploration starts with a somatic critique of opposing stillness to movement, body to cognition, and equilibrium to instability.

Young Science

12 Nov 15 and 2 Feb 16

Ruth Anderwald + Leonhard Grond take Dizziness–A Resource to the classroom.

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Global Voices at MOME Budapest

November 20, 2024

States of dizziness break up the given – be it habits, beliefs, preconceptions, or patterns – creating space and dynamics between established categories, habits, and perceived oppositions.

Resources Overview About Library Chronicle

Impressum – Legal Disclosure

Blown Away

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