2015 © Anderwald + Grond Photo © Alberto Venzago
Poster: 59,4 cm × 84,1 cm, colourEdition: 100, signed, 20 €
Order now!
Improvisation for me means to steadily scan my environment with all my senses in order to be able to react. This monitoring was a movement or awareness in as many directions as possible.
At this stage of the “just before”, of the potential, the ambiguous, the non-separation – the work of art avoids to come about, to take place because if it takes place, it is only this and not as well that anymore, it becomes exclusive. The great oeuvre keeps itself at work, because it keeps itself at this stage of the “just before”, “upstream” of a definitive actualisation, which would follow its definition.
We use the term coalescence to describe a moment where a multitude of actors come together, act together, and merge into a collective movement, body, or unit. The resulting situation is a shared but divergent somatic, spatial and cognitive experience of togetherness that is experienced as fertile and generative by all or most of the collective.
The Europe we inhabit today developed as a project in resistance to its past fascisms. But are fascisms only found in the past? This day-long workshop and exchange meeting explores resistance against fascisms as a performative, artistic, cultural, digital and educational instrument of realizing (European) community.
Presentation and discussion with the editors of the book 'Diziness–A Resource,' Ruth Anderwald, Karoline Feyertag and Leonhard Grond and their guests: Sarah Kolb, Katrin Bucher Trantow.
The symposium 'Between Images' explores contemporary artistic perspectives on the period after World War II. The invited artists of the symposium will use various media to approach the question of how it was possible to live together after the disillusionment of the lost war.
