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We Fight To Build A Free World!
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We Fight To Build A Free World!
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Date of Publishing:
March 22, 2021

We Fight To Build A Free World! © Jewish Museum NY

We Fight To Build A Free World!

Conversation with Jonathan Horowitz and Wolfgang Tillmans, around Jonathan Horowitz’ exhibition We fight to build a free world! (mod: Anderwald + Grond).

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In a public conversation, the artist Jonathan Horowitz and the photographer Wolfgang Tillmans share insights on their artistic and curatorial work. Starting from Horowitz’ exhibition We Fight to Build a Free World! at the Jewish Museum in New York, they investigate the potential art offers to fight racism and anti-Semitism.

In the framework of European Culture of Resistance against Fascisms.

Haus der Kulturen der Welt
Saturday 20 March 2021, online

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Berlin, March 2021

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Footnotes
Literature

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Interview
Jörg Zeyringer

Without Motivation There Is No Movement

Dizziness has a positive connotation for me, if it creates confusion in me and raises questions as to whether the project, the idea will work.

Document

Taumel Issue 2

Why do we fall sir? So that we can learn to pick ourselves up.

plakat|The-Bend|leo13_rendering|charlotte
Document
Catherine Yass

HASENHERZ High Wire

25 Apr 2017, 18:00

HASENHERZ-Screening with Catherine Yass at On the Borders of the Unknown, April 25, 2015.

beograd

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Navigating the Unknown – Fears and Pleasures of Dizziness

21 Mar 16 - 23 Mar 16

A three-day programme with Austrian, Swiss, British, American, Danish, German, and Israeli artists and scientists at the CCA – Center for Contemporary Art, Tel Aviv. 'Dizziness' is a condition of the body and/or the mind indicating a deviation from what has been so far conceived as normal or usual. As a condition, 'Dizziness' forces a re-rearrangement of the current navigational system. But how does one navigate the unknown?

cca1|Filmstill_Dizziness

Taumel – On the Borders of the Unknown

25 Apr - 26 Apr 2015

The end of the extent of our knowledge defines the borders of our world as we know it. Since the concept of the world as a plate, right up to the discovery of the existence of dark matter, this has not changed.

beograd|Ei|schiff|belgrad|essen

HASENHERZ with Sergio Edelsztein

17 Nov 21, 18:00-19:30

How does an artist live and work in isolation? How can he/she follow up on exhibition commitments? What kind of artistic strategies should be developed in order to maintain a presence and contact with the public in this situation? What would then be the role of the curator, and of the institution in general, in extreme situations where mobility is imperiled?