1998 © Anderwald + Grond
Ruth Anderwald
Leonhard Grond
Introduction
For our project ‘Dizziness–A Resource’, we study dizziness, comprising its complementary areas of experience and reflection on it. Based on artistic, art-historical, philosophical and natural scientific sources, we address questions with respect to contemporary art. Read More.
‘Dizzy Mess’, Vivian Ostrovsky and Ruti Gadish, 2017 © Anderwald + Grond
Agents of Confusion!
Recordings
These are the recordings of our one-day symposium, that brought together artistic and cross-disciplinary research on dizziness, with speakers from the fields of philosophy, visual arts, creativity research, psychbiology, medicine, architecture and cultural studies in the form of screenings, artists’ talks, lectures and discussions. Read More.
Navigating the Unknown, 2016 © Anderwald + Grond
Karoline Feyertag
Dizziness in
Compossible Spaces
How did we succeed to make dizziness a sort of commonplace? After several cross-disciplinary gatherings in the course of the research project ‘Dizziness–A Resource’, it became clear that the introduction of the concept of dizziness into divergent research fields created a compossible space, formed by our common interest in the experience of and reflection on dizziness. Read More.
2017 © Anderwald + Grond
Filming in Tomar
Filming Manueline Architecture in Protugal: The Manueline architectural style tried to incorporate all the discoveries of the new worlds of that time and within it all the unknown as well. Read More.
2016 © Anderwald + Grond
Ruth Anderwald
Leonhard Grond
Karoline Feyertag
Dizziness — A Resource
‘Dizziness’ is an English translation of the German word ‘Taumel’, which implies a broader semantic field including notions of physical and emotional disequilibrium, staggering, confusion, uncertainty, and turmoil. Read More.
2008 © USGS, Science for a Changing World
Maya Shmailov
The Personality and Motivation
of a Dizzy Creator
But what characterizes these people who defy norms, who disregard conventional boundaries, institutionalized norms, and accepted reward and evaluation systems – people who, in fact, not only view conventional boundaries as ridiculous but do not see boundaries to start with? Read More.
2000 © Anna Jermolaewa
Anna Jermolaewa
Trying to Survive
Fourteen roly-poly toys start to move about by means of an unknown power and can no longer be stopped. With ever increasing speed they drop directly into the unknown and disappear accompanied by the loud noise of explosions. Read More.
2016 © Anderwald + Grond
Matti Mintz
It’s all in your
… ear.
Lecture by Matti Mintz at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘. Read More.
2016 © Anderwald + Grond
Dizziness Is My Name
HD-video and 3D-sound installation for the opening of the Economic Symposium at European Forum Alpbach. Read More.
2016 © Anderwald + Grond
Maya Shmailov
Personalities of
Boundary Crossers
Lecture by Maya Shmailov at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘. Read More.
2016 © Anderwald + Grond
Dizziness Is My Name
Soundtrack
This is a fragment of the soundtrack that will accompany our film "Dizziness Is My Name". Read More.
2016 © Anderwald + Grond
Leonhard Grond
Compost is
nature’s best mulches and soil. Read More.
2016 © Anderwald + Grond
Mathias Benedek
Creative Dizziness in
Artists’ Working Process
Lecture by Mathias Benedek at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘. Read More.
2016 © Victoria Schmid
Winner of the Art Competition
‘Living in a Dizzying World’
The Main Award is inclusion of the artwork in an international group exhibition at Kunsthaus Graz. Read More.
2016 © Anderwald + Grond
Glimpses of ‘Navigating the Unknown’
Photos of 'Navigating the Unknown – Fears and Pleasures of Dizziness' at CCA-Tel Aviv Read More.
2016 © Benedek, Jauk & Kerschenbauer
Mathias Benedek, Emanuel Jauk & Kevin Kerschenbauer
Interim Report on
‘Living in a Dizzying World’
A central goal of the artistic research project ‘Dizziness–A Resource’ is to gain a better understanding of the role of dizziness in the artistic process. As one approach towards this goal, Ruth Anderwald + Leonhard Grond teamed up with psychologists from the University of Graz to conduct an empirical investigation. Read More.
2016 © Christian Hoffelner
Karoline Feyertag
The unexplained “Rest” —
Dizziness as a Resource
I saw the Statue of Liberty, and — this is weird — I saw it, and I just had it,” he said. He swiftly decided that he wanted to “spin around this thing. Read More.
2016 © Anderwald + Grond
Syntagm and Paradigm
These two dimensions are often presented as 'axes', where the horizontal axis is the syntagmatic and the vertical axis is the paradigmatic. Read More.
2016 © Anderwald + Grond
Le sas (French)
Sluice chamber or a “space in between” (where things become compossible and ambiguous). It’s an “interzone”. Read More.
2015 © Yael Bartana
Yael Bartana
Pardes
In her work 'Pardes' (Orchard) Yael Bartana takes a very personal look at how Westerners seek personal enlightenment by appropriating traditional rituals. Read More.