1998 © Anderwald + Grond
Ruth Anderwald
Leonhard Grond
Introduction
For our project Dizziness–A Resource, we study dizziness, comprising its complementary areas of experience and reflection on it. Based on artistic, art-historical, philosophical and natural scientific sources, we address questions with respect to contemporary art. Read More.
2016 © Anderwald + Grond
Matti Mintz
It’s all in your
… ear.
Lecture by Matti Mintz at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘. Read More.
2016 © Anderwald + Grond
Dizziness Is My Name
HD-video and 3D-sound installation for the opening of the Economic Symposium at European Forum Alpbach. Read More.
2016 © Anderwald + Grond
Maya Shmailov
Personalities of
Boundary Crossers
Lecture by Maya Shmailov at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘. Read More.
2016 © Anderwald + Grond
Dizziness Is My Name
Soundtrack
This is a fragment of the soundtrack that will accompany our film "Dizziness Is My Name". Read More.
2016 © Anderwald + Grond
Leonhard Grond
Compost is
nature’s best mulches and soil. Read More.
2016 © Anderwald + Grond
Mathias Benedek
Creative Dizziness in
Artists’ Working Process
Lecture by Mathias Benedek at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘. Read More.
2016 © Victoria Schmid
Winner of the Art Competition
‘Living in a Dizzying World’
The Main Award is inclusion of the artwork in an international group exhibition at Kunsthaus Graz. Read More.
2016 © Anderwald + Grond
Glimpses of ‘Navigating the Unknown’
Photos of 'Navigating the Unknown – Fears and Pleasures of Dizziness' at CCA-Tel Aviv Read More.
2016 © Benedek, Jauk & Kerschenbauer
Mathias Benedek, Emanuel Jauk & Kevin Kerschenbauer
Interim Report on
‘Living in a Dizzying World’
A central goal of the artistic research project 'Dizziness–A Resource' is to gain a better understanding of the role of dizziness in the artistic process. As one approach towards this goal, Ruth Anderwald + Leonhard Grond teamed up with psychologists from the University of Graz to conduct an empirical investigation. Read More.
2016 © Christian Hoffelner
Karoline Feyertag
The unexplained “Rest” —
Dizziness as a Resource
I saw the Statue of Liberty, and — this is weird — I saw it, and I just had it,” he said. He swiftly decided that he wanted to “spin around this thing. Read More.
2016 © Anderwald + Grond
Syntagm and Paradigm
These two dimensions are often presented as 'axes', where the horizontal axis is the syntagmatic and the vertical axis is the paradigmatic. Read More.
2016 © Anderwald + Grond
Le sas (French)
Sluice chamber or a “space in between” (where things become compossible and ambiguous). It’s an “interzone”. Read More.
2015 © Yael Bartana
Yael Bartana
Pardes
In her work 'Pardes' (Orchard) Yael Bartana takes a very personal look at how Westerners seek personal enlightenment by appropriating traditional rituals. Read More.
1961 © Pierro Manzoni
Affects and Percepts
The artist creates blocs of percepts and affects, but the only law of creation is that the compound must stand up on its own. Read More.
Ihr in Premantura, 1999-2003 © Anderwald + Grond
‘Resource’ and its Etymology
This etymological kinship with water seems to be another hint to the watery depths through which we have to make our “way”, our “poros”, when we experience dizziness. Read More.
2016 © Anderwald + Grond
Ruth Anderwald
Gravity and Dizziness
Gravity lends weight to all objects and causes the tides, but it can also be used to connote seriousness and depth, or a metaphorical weight or tide. If gravity is another word for seriousness, lightness connotes levity, humour and flippancy. Read More.
Living in a Dizzying World – Art Competition & Survey
The understanding of the specifics of the artistic work process is still incomplete. Philosophers like Maurice Merleau-Ponty (on Paul Cézanne) or Gilles Deleuze (on Francis Bacon in 'The Logic of Sensation') have ventured into that realm. This competition is an attempt by a team of artists and scientists whom together are trying to come to a more profound and holistic understanding of the artistic process and its needs. Read More.
2015 © Anderwald + Grond
Many Have Gone On These Bends
Break camp, break in, break the mould. Read More.