DIZZINESS — A Resource

Ruth Anderwald
Leonhard Grond
Introduction

For our project Dizziness–A Resource, we study dizziness, comprising its complementary areas of experience and reflection on it. Based on artistic, art-historical, philosophical and natural scientific sources, we address questions with respect to contemporary art. Read More.

Mathias Benedek
Creative Dizziness in
Artists’ Working Process

Lecture by Mathias Benedek at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘. Read More.
Share on Facebook, Tweet – Posted on 27.06.2016

Winner of the Art Competition
‘Living in a Dizzying World’

The Main Award is inclusion of the artwork in an international group exhibition at Kunsthaus Graz. Read More.

Glimpses of ‘Navigating the Unknown’

Photos of 'Navigating the Unknown – Fears and Pleasures of Dizziness' at CCA-Tel Aviv Read More.
Share on Facebook, Tweet – Posted on 12.05.2016

Mathias Benedek, Emanuel Jauk & Kevin Kerschenbauer
Interim Report on
‘Living in a Dizzying World’

A central goal of the artistic research project 'Dizziness–A Resource' is to gain a better understanding of the role of dizziness in the artistic process. As one approach towards this goal, Ruth Anderwald + Leonhard Grond teamed up with psychologists from the University of Graz to conduct an empirical investigation. Read More.
Share on Facebook, Tweet – Posted on 21.04.2016

Karoline Feyertag
The unexplained “Rest” —
Dizziness as a Resource

I saw the Statue of Liberty, and — this is weird — I saw it, and I just had it,” he said. He swiftly decided that he wanted to “spin around this thing. Read More.
Share on Facebook, Tweet – Posted on 10.03.2016

Syntagm and Paradigm

These two dimensions are often presented as 'axes', where the horizontal axis is the syntagmatic and the vertical axis is the paradigmatic. Read More.
Share on Facebook, Tweet – Posted on 10.03.2016

Le sas (French)

Sluice chamber or a “space in between” (where things become compossible and ambiguous). It’s an “interzone”. Read More.
Share on Facebook, Tweet – Posted on 10.03.2016

Yael Bartana
Pardes

In her work 'Pardes' (Orchard) Yael Bartana takes a very personal look at how Westerners seek personal enlightenment by appropriating traditional rituals. Read More.
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Share on Facebook, Tweet – Posted on 08.03.2016

Affects and Percepts

The artist creates blocs of percepts and affects, but the only law of creation is that the compound must stand up on its own. Read More.
Share on Facebook, Tweet – Posted on 08.03.2016

‘Resource’ and its Etymology

This etymological kinship with water seems to be another hint to the watery depths through which we have to make our “way”, our “poros”, when we experience dizziness. Read More.
Share on Facebook, Tweet – Posted on 07.03.2016

Ruth Anderwald
Gravity and Dizziness

Gravity lends weight to all objects and causes the tides, but it can also be used to connote seriousness and depth, or a metaphorical weight or tide. If gravity is another word for seriousness, lightness connotes levity, humour and flippancy. Read More.
Share on Facebook, Tweet – Posted on 11.02.2016

Observation 10

Share on Facebook, Tweet – Posted on 15.01.2016

Living in a Dizzying World – Art Competition & Survey

The understanding of the specifics of the artistic work process is still incomplete. Philosophers like Maurice Merleau-Ponty (on Paul Cézanne) or Gilles Deleuze (on Francis Bacon in 'The Logic of Sensation') have ventured into that realm. This competition is an attempt by a team of artists and scientists whom together are trying to come to a more profound and holistic understanding of the artistic process and its needs. Read More.
Share on Facebook, Tweet – Posted on 01.12.2015

Many Have Gone On These Bends

Break camp, break in, break the mould. Read More.
Share on Facebook, Tweet – Posted on 03.11.2015

In Conversation with
François Jullien
Making Ambiguity Fertile is the Present Mission of Thought

At this stage of the “just before”, of the potential, the ambiguous, the non-separation – the work of art avoids to come about, to take place because if it takes place, it is only this and not as well that anymore, it becomes exclusive. The great oeuvre keeps itself at work, because it keeps itself at this stage of the “just before”, “upstream” of a definitive actualisation, which would follow its definition. Read More.
Share on Facebook, Tweet – Posted on 30.09.2015

Observation 9

Share on Facebook, Tweet – Posted on 25.09.2015

Karoline Feyertag
Inside/Outside and The Ground beneath Our Feet
with Comments by Feyertag,
Anderwald + Grond

Only since contemporary philosophy could compossibility also mean that opposites, several mutually contradictory worlds or heterogeneous truths, are possible within the same universe and without necessarily entailing separation, distinction or any dichotomy between them. Read More.
Share on Facebook, Tweet – Posted on 22.09.2015

Communitas

The community isn't a mode of being, much less a ‘making’ of the individual subject. Read More.
Share on Facebook, Tweet – Posted on 08.09.2015

Ambiguity

From ambigō ("wander; waver, hesitate") Read More.
Share on Facebook, Tweet – Posted on 08.09.2015