2015 © Anderwald + Grond
Reenactment in Istanbul of Mieko Shiomi's work event for the late afternoon performed in Okayama, Japan, 1964. (http://www.moma.org)
Braiding Sweetgrass offers points of relation to queerness, dizziness, and their intersections, by addressing the importance of the collective and lived reciprocity, talking about how plants and forest are teaching us about the destructive and constructive elements of change, and by exploring the possibilities of standing at the brink and those of falling.