2008 © Catherine Yass
Catherine Yass speaks about the dream of walking in the air and about falling.
– See also Catherine Yass, HASENHERZ.
– See also Descent and High Wire.
Why have we always been thinking in “straight lines” when Lucretius had already observed the swerve as a permanent change of motion?
The community isn't a mode of being, much less a ‘making’ of the individual subject.
Throughout the main body of his original 1927 paper, written in German, Heisenberg used the word, "Ungenauigkeit" ("indeterminacy"), to describe the basic theoretical principle. Only in the endnote did he switch to the word, "Unsicherheit" ("uncertainty")
The one-day symposium titled ‘Agents of Confusion!’ brings together artistic and cross-disciplinary research on dizziness, with speakers from the fields of philosophy, visual arts, creativity research and cultural studies in the form of screenings, artists’ talks, lectures and discussions.
This program examines the glances, gestures, affects and fluids that circulate between filming and filmed bodies, celluloid and screen, fantasy and pleasure.
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
