2015 © Anderwald + Grond
Booklet: 48 pages, 13,0 × 21,0 cm, colourEdition: 100, numbered and signed, 50 €
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When behaving as waves, [particles] can simultaneously pass through several openings in a barrier and then meet again at the other side of the barrier. This "meeting" is known as interference. Strange as it may sound, interference can only occur when no one is watching.
In this live site-specific sound installation at the KINDL brewery, Daniel Meir activates four of the original brewing tanks as resonating instruments in real time.
How can we utilise dizziness in the sense of ‘staring into the abyss’ as a stimulus for the fundamental act of philosophising? Is it really the limit, threshold, limen and aporia that incite thinking?
Vertigo in the City brings together an eclectic mix of scholars, clinicians, practitioners and artists to share perspectives on vertigo. The multidisciplinary conversations explore how sensations of dizziness and disorientation are diagnosed, analysed, evoked, induced, critiqued and represented, with a particular focus on the built environment.
'In 50 years people will whistle my tunes in the streets', composer and artist Arnold Schönberg famously stated at the beginning of the 20th century.
Filmmaking has developed epistemological practices of its own, which do not align seamlessly with current notions of artistic research.
